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Rumple_deWriter
Over 90 days ago
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Barkeep, your least objectionable coffee, see you play. ;)

Me, I'm frazzled after going one-on-one with my sig line. Things being a tad slow around here, it seemed like the time had arrived for a little pimping. Feel free to check out the link in my sig line and, if so motivated, maybe even the Flash story the link should link you to -- or something like that.

If you want your novel or book to have a good chance of being placed on bookshelves and you don’t have an agent, the following publishers are all good options. All of them publish print books (with digital options) and all of them have a good distribution system.

Not all of the publishers are open to submissions at all times, but most are. This list is in no particular order.


Bellevue Literary Press

Bellevue Literary Press publishes works of narrative nonfiction and literary fiction geared towards a general readership. They are open to unsolicited submissions of both kinds of work. The work they publish explores the intersection between arts and science. Many of the characters in the fictional work that they publish are doctors and scientists, but many of their books also focus on the natural world. They seem to publish about four novels for every work of nonfiction they publish.

Harlequin

Harlequin is easily the most famous romance only publisher out there. In fact, their name was synonymous with romance novels when I was growing up. They have wide distribution, from grocery stores to bookstores. They are everywhere.

DAW

DAW is an imprint of Penguin that is open to manuscript submissions from authors without an agent. This is unusual and a great opportunity. DAW is a highly respected publisher of science fiction and fantasy. They have published authors such as Marion Zimmer Bradley and Roger Zelazny, as well as many bestselling books and Hugo award winning books. They are respected and popular.

Seven Stories Press

Seven Stories Press is an independent publisher that has been around for over twenty years. They have published a number of highly respected books. Their books are distributed by Random House. They take their name from the seven authors whose work has influenced and impacted Seven Stories Press the most.

Baen

Baen is one of the best known publishers of science fiction and fantasy books. They have published many of the classic genre novels. They have excellent distribution, their books are found in libraries and bookstores everywhere.

Chicago Review Press

Chicago Review Press was founded over 40 years ago. They are an established independent publisher of literary fiction, nonfiction and memoir. They also publish books for children (but not picture books). They were founded by Curt Matthews and his wife, Linda Matthews.

Tor/Forge

Tor/Forge publishes science fiction and fantasy books. Run by Tom Doherty Associates, LLC, Tor/Forge is an imprint of Macmillan, one of the big five publishers. Tor is one of the most established science fiction publishers. They offer advances

Hard Case Crime

Hard Case Crime is a well respected and established niche publisher of hard boiled crime novels. The publisher has been featured in a number of respected publications including Time Magazine and The Stranger. They are distributed by Random House.

McSweeney’s

McSweeney’s publishes literary fiction, nonfiction, and poetry. McSweeney’s was founded in 1998 by Dave Eggers. They originally started out publishing a literary magazine, and now they are responsible for a number of publications, online and off, as well as podcasts, and books. They are based out of San Fransisco.


xxx


Excerpted from the free online newsletter of Authors Publish magazine (highly recommended)
These are 17 themed submission calls for fiction, nonfiction, poetry, comics, and scripts. Some of the themes are humanity, detritus, winter holidays, Halloween, identity, alternate history farce and fantasy, axe murderers, retro weird, and the moon. All of these pay writers – royalties, token, or pro rates.

* copied from the free online newsletter of, Authors Publish Magazine *

Escape Artists: Cast of Wonders – Halloween, Dinovember, Winter Holidays
This is a speculative fiction online magazine and podcast for young adult fiction. Apart from unthemed works, they are also looking for Halloween, Dinovember, and Winter Holidays stories in their April reading period. They also accept reprints.
Reading period: 1-15 April 2019
Length: Up to 6,000 words
Pay: $0.06/word
Details here and here.

Visions: Humanity
They want science fiction and speculative short stories on the theme of Humanity for their second issue. Their guidelines say, “…we’re not looking to precisely define the subject but rather show the variety of perspectives that surrounds it.

This goes from pieces about what makes us human now and in the future, to ones highlighting how little we might differ from computers or animals. Stories about robots and artificial intelligence are welcome but so are the ones about DNA manipulation, eugenics, death and human behaviour in society at large.”
Deadline: 15 April 2019
Length: Up to 3,000 words; won’t take anything above 5,000 words
Pay: Around $0.06/word
Details here.

Hinnom Magazine: Retro Weird Tales Edition
­­­They want horror, science fiction, and fantasy stories and poems from women. Stories should be Weird fiction and Cosmic horror (see guidelines).­ The retro edition of this magazine will have stories akin to the old Weird Tales magazines of the 1930s, but while those had mainly male authors, this magazine will have contributions only by female authors.
Deadline: 15 April 2019
Length: 1,000-6,000 words
Pay: $0.06/word for prose, $65 for poems
Details here.

The Suburban Review: Detritus
They want fiction, creative nonfiction, poetry, and comics on the Detritus theme. Their guidelines say, “Waste and decay surrounds and absorbs you. It’s warm, thick, fertile. Breathe in the fetid excess and expose all the crawling, seething life forces. Write into the dark warmth and send us the best of your scum and grot.”
Deadline: 18 April 2019
Length: 500-2,500 words for prose, up to three poems
Pay: $75-150 for prose and poetry, $100-200 for comics
Details here.

Shooter Literary Magazine: Identity
They want literary fiction, creative nonfiction, poetry, and narrative journalism on the theme of ‘Identity’. They want work on anything to do with the sense of self, whether personal or cultural. They particularly want content that addresses topical issues of gender, sexuality, race, nationality, religion, and occupation. The theme is open to interpretation.
Deadline: 21 April 2019
Length: 2,000-7,500 words
Pay: £25 per story and £5 per poem
Details here.

Nightscape Press: Nox Pareidolia
The theme for this anthology is heavily influenced by Robert Aickman’s fiction. The editor wants ambiguous horror/weird fiction. “Whether it be ambiguously supernatural or whether what exactly has or is happening is ambiguous, or any creative playing off of ambiguity could be interesting to see explored. But the element that is ambiguous must be intrinsic to the story.” Also see their calls for reprints and a charity anthology on the guidelines page.
Reading period: 1-30 April 2019
Length: Up to 6,000 words
Pay: $0.06/word
Details here.

Post-to-Print Publishers: From a Cat’s View
They want stories written (fully or partially) from a cat’s point of view – from a cat’s perspective, using its words or thoughts. The cat does not have to be a principal character, though the cat’s character should impact the plot in a significant manner. They accept stories in all genres and time periods. Plots involving cat familiars and witches are low on our list of preferred stories for this volume.
Deadline: 30 April 2019
Length: 3,000-7,000 words
Pay: $25
Details here.

Martinus Publishing: This Never Happened! Alternate History Farce and Fantasy
This is an anthology devoted to the humorous side of alternative history fiction. They want stories that are funny and outrageous, “set in worlds where history differs from what happened in our own reality, with ridiculous consequences; tales that could not possibly have happened, or maybe they could have but they’d have just been absolutely hilarious!” Stories must be PG-13.
Deadline: 30 April 2019
Length: 1,500-10,000 words
Pay: A share of profits
Details here.


Quommnicate Media: Geek Out II!
The theme is, ‘Where queer meets geek’. They are looking for genre fiction, slam and non-traditional format poetry, non-memoir-based creative nonfiction, topical articles, reviews, and comedy. They also want comics/graphic stories, and scripts. This anthology will be published online, and also printed.
Deadline: 30 April 2019
Length: Up to 5,000 words of prose, up to 3 pages per poem, comics and scripts up to 10 pages
Pay: $5/page
Details here.

Lethe Press: Hatchet Job
They are looking for horror fiction featuring axe murderers. Stories need not focus solely on this antagonist, but all stories must somehow involve this threat or concept. They accept reprints – in fact they expect many stories to be reprints for this anthology – and original work.
Deadline: 30 April 2019
Length: Up to 10,000 words
Pay: $0.04/word for original, $0.02/word for reprints
Details here.

Corona Books UK: The Third Corona Book of Horror Stories
They want “brilliant modern horror short stories” for their anthology. They want various different takes on what constitutes horror – stories can be supernatural or natural horror, graphic or gory, or merely sinister or spooky. They also accept reprints and multiple submissions.
Deadline: 30 April 2019
Length: 1,000-8,000 words
Pay: Advance of £50 against royalties
Details here.

Eibonvale Press: The Once and Future Moon
This will be a fiction anthology about the moon. Their guidelines say that the ‘Once’ aspect will deal with how older cultures/earlier civilisations/people in history saw the moon, considered and reflected upon the moon. The stories do not have to be factually, scientifically accurate; the moon element could be seen as poetic, figurative, or imaginative. For ‘Future’ stories, they want both the liveable near-future (e.g. up to 50 years’ time) and slightly further ahead; stories grounded in how we will live on/adapt to/use the moon in the near and further future, and how the moon will affect our lives going forward. Will it be the site of the next war?
Deadline: 30 April 2019
Length: 1,000-5,000 words
Pay: £10
Details here (scroll down).

Slice Magazine: Persistence
ETA: They just switched their submission window to the fall. They want fiction, nonfiction and poetry for their ‘Persistence’ themed issue. They publish both established and emerging voices. They look for work that plays off the theme, especially in unexpected ways.
Reading period: 1 April-15 May 2019
Length: Up to 5,000 words for prose, up to five poems
Pay: $250 for stories and essays, $75 for flash fiction pieces, $75 for poems
Details here.

Rock and Hard Place Magazine
They want fiction about that focus on the plight of marginalized, poor, depressed, and desperate people. They want fiction on this theme in any genre, or mixed genres.
Deadline: Unspecified
Length: 2,000-5,000 words
Pay: $35
Details here.

The Norwegian American
This is a magazine for the Norwegian-American community. They also publish short works of fiction of any genre that have something to do with Norway, or crime/mystery stories even if they have nothing to do with Norway, though bonus points if they do.
Deadline: Rolling
Length: Up to 1,500 words (under 1,000 words preferred)
Pay: $50
Details here.

Issues in Earth Science
They want middle grade and young adult fiction that incorporates earth science concepts as key, not incidental, elements, and also represent a key idea that might be taught in an earth science classroom. Stories should also be emotionally compelling. Those with adult characters but for a young adult or middle grade audience will also be considered. The purpose of these stories will be to serve as supplemental reading material for middle or high school students studying particular topics in earth science. They also accept nonfiction, for “Topics for Debate” and these should address a topic of interest in earth science, science education, or science in fiction. Deadline: Open now
Length: 1,000-3,000 words for fiction, 500-1,000 words for nonfiction
Pay: $0.06/word; additional pay if selected for print edition later
Details here.

Zooscape
They want stories prominently featuring an anthropomorphic animal figure – it could be anthropomorphic in body or only intelligence. “We’ll consider any type of furry fiction from secret life of animals to fox in Starbucks. We love science-fiction with animal-like aliens and fantasy with talking dragons, unicorns, or witch familiars.” Query for multiple submissions. They accept reprints.
Deadline: Open now
Length: Up to 10,000 words
Pay: $0.06/word up to 1,000 words, flat rate of $60 for longer
Details here.

April is National Poetry Month. To celebrate, here is a list of poetry markets that accept poetry submissions in April 2019. They do not charge a fee to publish, or they have fee-free options (like free mailed submissions, or free online submissions during certain periods), and many of them pay writers. Several magazines and websites publish other genres also, like fiction, nonfiction, reviews, and scripts. Here they are, in no particular order.

* copied from the free online newsletter of, Authors Publish Magazine *


Grain Magazine
This Canadian literary magazine accepts individual poems, sequences, or suites up to a maximum of six pages. They also publish literary nonfiction and fiction, and accept queries for submissions of work in other forms (short plays, comics, etc.). Submissions of visual art are by invitation but artists are welcome to query. Pay is CAD50/page up to CAD250, and the deadline is 31 May 2019.
Details here.

The Georgia Review
­­­­­This award-winning literary magazine publishes poetry, and they accept up to five poems. They also publish fiction, nonfiction, and reviews (including book briefs and essay-reviews). There is no fee for mailed submissions. Pay is $4/line of poetry, and $50/page for prose. The deadline for submissions is 15 May 2019. Details here.

The Frogmore Papers
This UK-based literary magazine accepts poetry. Their guidelines say, “Very long poems and very short poems have more to do than poems of an average length (say, 20-80 lines)”. Also, “Poems where the form drives the meaning are unlikely to find favour”, and “Poems written by people who clearly haven’t read any poetry since Wordsworth will not find favour.” Send 4-6 poems. They also publish short stories and they are reading for their September issue until 30 April 2019. Details here.

Alaska Quarterly Review
This award-winning magazine publishes poetry. They publish work in traditional and experimental styles, but not light verse. Send up to 20 pages of poetry. They also accept fiction, short plays, and literary non-fiction. They welcome work by new and emerging writers alongside established and award-winning ones. They accept only hard copy submissions. Their deadline is 15 May 2019. Details here.

Epoch Magazine
This literary magazine considers poetry in all forms, including the long poem; send up to five poems. They also publish fiction, essays, cartoons, screenplays, graphic art, and graphic fiction. The magazine is edited by faculty at Cornell University. They only accept mailed submissions. They pay a minimum of $50 per poem, and $150 per short story (more for longer stories). The deadline is 15 April 2019. Details here.

New Reader Magazine
They publish poetry of all genres and types, and especially welcome experimental poetry and work that defies genre conventions. They accept videos of spoken word poetry if the video has not been previously published. They ask for a minimum of three poems per submission. The magazine publishes “stories about humans and about being human.” Apart from poetry, they also publish investigative stories, memoirs and profiles, interviews, etc. of people who are doing interesting things and changing perspectives in big cities or small, secret towns, fiction, lyrical essays, and comics, as well as illustrations and photography. They pay $5 per poem, $10-20 for prose, and accept work year-round. Details here.

Gertrude Press
This is a queer literary and arts journal accepting submissions from new and established LGBTQIA writers and artists. They accept submissions of up to five poems on any subject, not necessarily LGBTQIA-specific. Poems of fewer than 40 lines are preferable. They also accept fiction, creative nonfiction, and art. The deadline for poetry submissions is 2 March, 2020. Details here.

Lighten Up Online

This is a quarterly light verse webzine. Their website says, “We believe that light verse is very far from being the poor relation of “proper” poetry.” Send up to three poems. They also accept reprints. Details here.

P N Review
This prestigious UK-based poetry magazine accepts poems, including translations. Send up to four poems/five pages of poetry, or up to 15 pages of poetry-related prose. They publish no short stories, children’s prose/poetry, and very little non-poetry related work. Non-subscribers must post their submissions, and subscribers can email them. Details here.

Able Muse
The predominantly publish metrical poetry and poetry translation complemented by art and photography, fiction and nonfiction including essays, book reviews and interviews with a focus on metrical and formal poetry. They want “well-crafted poems of any length or subject that employ skillful and imaginative use of meter and rhyme, executed in a contemporary idiom, that reads as naturally as your free verse poems.” All forms of formal poetry are welcome. They also publish, occasionally, exceptional free verse poetry. They also accept humorous or light poetry. Send 1-5 poems. They publish established as well as new voices, and accept submissions through the year. Details here.

Valparaiso Poetry Review
They welcome submissions of unpublished poems, book reviews, author interviews, and essays about poetry or poetics for which the rights belong to the author. They do not publish translations. Very rarely and only in special circumstances, previously published material will be accepted if it is unavailable anywhere else online. They publish new, emerging and well-known poets. Works published in this magazine have received honours or been chosen for inclusion in award anthologies. Submit up to five poems. Details here.

Vallum Magazine: Fear
This Canadian poetry magazine is reading for its ‘Fear’ themed issue. Their guidelines say, “It has been said by writers like William Golding that fear is the most destructive of human emotions. It may be a fear of the known or of the unknown, a fear that seems overwhelming and unbeatable. Franklin D. Roosevelt said “The only thing we have to fear is fear itself.” How is fear represented in poetry, specifically in your poetry? What are we afraid of?” Send 4-7 poems (by mail only). They also accept essays, interviews, reviews, and audio and video poems. They pay their contributors. They are reading for this theme until 15 May 2019. Details here.



Grain Magazine
This Canadian literary magazine accepts individual poems, sequences, or suites up to a maximum of six pages. They also publish literary nonfiction and fiction, and accept queries for submissions of work in other forms (short plays, comics, etc.). Submissions of visual art are by invitation but artists are welcome to query. Pay is CAD50/page up to CAD250, and the deadline is 31 May 2019.
Details here.

The Georgia Review
­­­­­This award-winning literary magazine publishes poetry, and they accept up to five poems. They also publish fiction, nonfiction, and reviews (including book briefs and essay-reviews). There is no fee for mailed submissions. Pay is $4/line of poetry, and $50/page for prose. The deadline for submissions is 15 May 2019. Details here.

The Frogmore Papers
This UK-based literary magazine accepts poetry. Their guidelines say, “Very long poems and very short poems have more to do than poems of an average length (say, 20-80 lines)”. Also, “Poems where the form drives the meaning are unlikely to find favour”, and “Poems written by people who clearly haven’t read any poetry since Wordsworth will not find favour.” Send 4-6 poems. They also publish short stories and they are reading for their September issue until 30 April 2019. Details here.

Alaska Quarterly Review
This award-winning magazine publishes poetry. They publish work in traditional and experimental styles, but not light verse. Send up to 20 pages of poetry. They also accept fiction, short plays, and literary non-fiction. They welcome work by new and emerging writers alongside established and award-winning ones. They accept only hard copy submissions. Their deadline is 15 May 2019. Details here.

Epoch Magazine
This literary magazine considers poetry in all forms, including the long poem; send up to five poems. They also publish fiction, essays, cartoons, screenplays, graphic art, and graphic fiction. The magazine is edited by faculty at Cornell University. They only accept mailed submissions. They pay a minimum of $50 per poem, and $150 per short story (more for longer stories). The deadline is 15 April 2019. Details here.

New Reader Magazine
They publish poetry of all genres and types, and especially welcome experimental poetry and work that defies genre conventions. They accept videos of spoken word poetry if the video has not been previously published. They ask for a minimum of three poems per submission. The magazine publishes “stories about humans and about being human.” Apart from poetry, they also publish investigative stories, memoirs and profiles, interviews, etc. of people who are doing interesting things and changing perspectives in big cities or small, secret towns, fiction, lyrical essays, and comics, as well as illustrations and photography. They pay $5 per poem, $10-20 for prose, and accept work year-round. Details here.

Gertrude Press
This is a queer literary and arts journal accepting submissions from new and established LGBTQIA writers and artists. They accept submissions of up to five poems on any subject, not necessarily LGBTQIA-specific. Poems of fewer than 40 lines are preferable. They also accept fiction, creative nonfiction, and art. The deadline for poetry submissions is 2 March, 2020. Details here.

Lighten Up Online

This is a quarterly light verse webzine. Their website says, “We believe that light verse is very far from being the poor relation of “proper” poetry.” Send up to three poems. They also accept reprints. Details here.

P N Review
This prestigious UK-based poetry magazine accepts poems, including translations. Send up to four poems/five pages of poetry, or up to 15 pages of poetry-related prose. They publish no short stories, children’s prose/poetry, and very little non-poetry related work. Non-subscribers must post their submissions, and subscribers can email them. Details here.

Able Muse
The predominantly publish metrical poetry and poetry translation complemented by art and photography, fiction and nonfiction including essays, book reviews and interviews with a focus on metrical and formal poetry. They want “well-crafted poems of any length or subject that employ skillful and imaginative use of meter and rhyme, executed in a contemporary idiom, that reads as naturally as your free verse poems.” All forms of formal poetry are welcome. They also publish, occasionally, exceptional free verse poetry. They also accept humorous or light poetry. Send 1-5 poems. They publish established as well as new voices, and accept submissions through the year. Details here.

Valparaiso Poetry Review
They welcome submissions of unpublished poems, book reviews, author interviews, and essays about poetry or poetics for which the rights belong to the author. They do not publish translations. Very rarely and only in special circumstances, previously published material will be accepted if it is unavailable anywhere else online. They publish new, emerging and well-known poets. Works published in this magazine have received honours or been chosen for inclusion in award anthologies. Submit up to five poems. Details here.

Vallum Magazine: Fear
This Canadian poetry magazine is reading for its ‘Fear’ themed issue. Their guidelines say, “It has been said by writers like William Golding that fear is the most destructive of human emotions. It may be a fear of the known or of the unknown, a fear that seems overwhelming and unbeatable. Franklin D. Roosevelt said “The only thing we have to fear is fear itself.” How is fear represented in poetry, specifically in your poetry? What are we afraid of?” Send 4-7 poems (by mail only). They also accept essays, interviews, reviews, and audio and video poems. They pay their contributors. They are reading for this theme until 15 May 2019. Details here.
There's a new challenge waiting for the bold and brave up in the 'Challenges and Prompts' forum. This one comes from 'Her Maggieship' and includes an image to be contemplated first. For more info and a look at the image, journey to the old C & P to learn all.

* Excerpted from the free online Authors Publish newsletter (highly recommended)

xxx

Flame Tree Publishing: Detective Mysteries; Epic Fantasy
They want new and recent short stories for two anthologies. Writers can submit more than one story, and to each anthology. They accept reprints.
— Detective Mysteries. Their guidelines say, “Private Eyes with eagle eyes and rare skills, PIs and gumshoes, bloodhounds and sleuths: the shadowy arts of the detective have intrigued us since tales of the Pinkerton Detective Agency and Sherlock Holmes. Add some treachery, intimacy, and a little murder to the mix and you’ll find a powerful series of dark stories from classic and contemporary writers.”
— Epic Fantasy. Their guidelines say, “George R.R. Martin drew on Tolkien, who was inspired by William Morris, Medieval epics, and Norse mythology. This new collection of epic fantasy tales explores the classic themes of good vs. evil, the low-born hero, and the arrogant overlord, lacing them with a taste of sorcery that reaches back to the early sources and stirring them in with the brand new storytellers of today.”
Deadline: 24 March 2019
Length: 2,000-4,000 words are most likely to be successful; will read slightly outside this rage
Pay: $0.06/word
Details here.

Grumpy Old Gods Anthology Volume 2
This is a second call to submissions on this theme – they want speculative fiction stories about gods gone AWOL. Their guidelines say, “We invite you to re-imagine old myths, mine your local retirement home for things that tickle your fancy, and invite your Muse to go wild.” The only requirement is that the god or goddess in question (or whole pantheon) must be retired, retiring, waning in power, or ignoring their responsibilities. Humor is welcome and they want PG-13 to PG-17 stories.
Deadline: 30 March 2019
Length: 3,000-4,000 words
Pay: A portion of the profits
Details here.

Orbannin Books: Letters from the Grave – A Collection of Epistolary Horror
They want epistolary horror. Their guidelines say, “The epistolary form has a long, proud tradition in the horror genre. From the classics such as Frankenstein and Dracula, through modern classics like World War Z. We want to see your fresh takes on the idea. Remember that the epistolary genre doesn’t just include letters. It can be stories created from nearly any kinds or combinations of documents, i.e. crime scene reports, diary entries, interview transcripts, etc. This can include modern electronic and digital “documents” such as texts, voicemails, Tweets, blog posts, and more.” See guidelines for tropes they won’t accept.
Deadline (extended): 31 March 2019
Length: Up to 10,000 words
Pay: $0.05/word
Details here.

Darkhouse Books: Mid-Century Murder; A Murder of Crows
— Mid-Century Murder. For this theme, they want cozy to cozy-noir crime stories set in the late forties through the very early sixties. They want stories that evoke the era, though its fashions, homes, furniture and furnishings, vehicles, restaurants, stores and products, music, movies, radio and television. For authors on Facebook, they have pointed to two groups that could be useful for grokking the era (see guidelines). They accept reprints.
— A Murder of Crows. This is a call for cozy to cozy-noir crime stories, set in any time, from dinosaurs to the present, using the collective names of groups of animals which includes mammals, reptiles, fish, birds, and insects, or names of authors’ invention. Their guidelines also say, “Earth animals/birds only, none from outer space or invented animals. You can put your animals in jeopardy but animal cruelty or killing an animal is an automatic rejection. Choosing an animal/bird that is a little different may give you an edge on being chosen. We don’t want multiple stories using the same species! Your animals should be an integral part of the crime, not just a mention as part of the story.”
Deadline: 31 March 2019 for Mid-Century Murder; 30 April for A Murder of Crows
Length: 2,500-6,000 words
Pay: Royalties
Details here and here.

Cricket Media: Six themes
Cricket Media produces literary magazines for children of various ages – Babybug (for ages 6 months to 3 years), Ladybug (ages 3 to 6), Spider (ages 6 to 9), and Cricket (ages 9 to 14). The magazines have several themes coming up.
— Whatever the Weather. For Babybug: “stories, poems, action rhymes, and fingerplays about year-round outdoor play and exploration. What might a baby or toddler appreciate about the natural world in different seasons? Are there memorable games that can only be played at certain times of year?”
— A Part of it All. For Ladybug: “short stories, retellings of folk tales, rebus stories, poems, action rhymes, nonfiction, and songs about young children participating in their communities. Welcoming new neighbors, harvesting a shared garden, celebrating a holiday—show us how small children can affect their neighborhoods. We’re interested in explorations of communities across the US and abroad.”
— Enchanted Forest. For Spider: “stories, poems, short plays, and activities for the theme “Enchanted Forest.” Show us worlds of magic and wonder, full of unicorns, witches in the woods, mythical beasts, and fairytale castles. Give us a new version of the traditional fairytale cast—what if a princess, prince, knight, or villain did not want to follow the roles assigned to them? Fractured and contemporary fairytales welcome.”
— Indigenous Stories. For Cricket, Spider, and Ladybug: “heartfelt stories by and about indigenous peoples of North America, whether you identify as indigenous, Native American, First Nation, or another name. Tell us about special family moments, traditions continued or lost, life on or off a reservation, learning and growing up in the present or past, or an important moment in history.”
— Home for the Holidays. For Cricket and Spider: “contemporary and historical fiction, nonfiction, poetry, crafts, and recipes about the celebration or history of holidays around the world. We welcome well-told seasonal stories set against the background of major U.S. holidays, but we also have special interest in holidays and festivals celebrated in other parts of the world that may be less familiar to our young readers.”
— Open for Business. For Cricket: “seeks contemporary and historical fiction, biographies, and nonfiction about earning money or starting an enterprise. Fictional stories might be set against the background of a child’s summer job or working in a family business; saving money for an important event; or family struggles with money. Nonfiction might focus on inventors and entrepreneurs, the Industrial Revolution and labor strife, or people with unusual jobs.” These magazines also accept nonfiction, poetry, and craft submissions.
Deadline: 1 April 2019
Length: Various
Pay: Up to $0.25/word for prose, $3/line for poetry
Details here.

B Cubed Press: Tales from the Space Force
­­­­­This is an anthology around the Space Force. Their guidelines say, “Now that America has an official Space Force, we need to incorporate it into literature.

What to do we want? Camp? Satire? Bug Eyed Monsters? All good. We’ll do serious stories, too. Mostly we want good stories. And if I am to confess, we want campy stories. We want the golden age of pulp to live again. … Ask yourself, what would an American Space Force do? Will there be a space wall around the International Space Station? Will NASA and the Space Force get along?” Political bents are allowed, and they also accept poetry. Also check out their other themed calls: Alternative Bedtime Reading for Progressive Parents, and Alternative Apocalypses.
Deadline: 15 April 2019
Length: 500-5,000 words
Pay: $0.02/word and royalties; for flash pieces and poetry, an option of a flat $25 fee
Details here.

Thema: The Clumsy Gardener
They want fiction, poetry, and essays on the theme of The Clumsy Gardener. The premise must be an integral part of the plot, not necessarily the central theme but not incidental. They like a carefully constructed plot, good character delineation, and clever plot twists. They welcome both traditional and experimental stories. They also accept poetry, photographs, and art. Authors in the US must post their work, those outside the US can email it. They also accept reprints.
Deadline: 1 July 2019
Length: Fewer than 20 pages for prose; up to three poems
Pay: $25 for short stories, $10 for flash and poetry
Details here.

Unfit Magazine: AR/VR and the downside to commercialization of technology
They publish fiction: Quantum Fiction, Cyberpunk, Scientific Realism and Augmented Reality, and they want stories with metaphors and emotional ambiance and imaginative descriptive writing. Currently, they’re looking for stories about AR/VR and the downside to the commercialization of technology.
Deadline: Open now
Length: 500-3,000 words
Pay: $0.03/word
Details here.

Unreal Magazine: Unusual creatures and odd experiences
They publish fiction: fantasy, magic realism, and experimental fiction. Currently, they are looking for stories about unusual creatures and odd experiences.
Deadline: Open now
Length: 500-5,000 words
Pay: $0.01/word
Details here.
Most of these publishers have an imprint that accepts unsolicited submissions or queries. These imprints are sometimes very specific in terms of what genre they publish, others are very broad.

Some are print and many are digital-first. In most cases, digital-first means they publish an eBook version. If it does well, they follow it up with a traditional print run.

Not all of the imprints are currently open to submissions at this time, but all have plans to re-open.

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Versify

Versify, a new imprint of Houghton Mifflin Harcourt Books for Young Readers, is accepting submissions via email. Versify was started by the Newberry Award winning author Kwame Alexander, who you can learn more about here. The goal of Versify is to publish risky, unconventional books for children. They are looking for novels, nonfiction, picture books, and graphic novels. They also are probably the only imprint of Houghton Mifflin that has a Tumblr.

SMP Swerve


St Martin’s Press is an imprint of Macmillan. SMP Swerve is the digital-first romance publishing imprint of St Martin’s. SMP Swerve is open to all sub-genres of romance. The length of your manuscript must be between 25,000 and 100,000 words.

Forever Yours


Forever is the romance imprint of Grand Central Publishing. Grand Central Publishing is the imprint of the Hachette Book Group.Forever Yours is the digital sister of Forever, they focus on publishing un agented authors, and often publish authors without a publication history. They publish eBooks, but they have an option to print on demand any book over 50,000 words in length.

Tor/Forge

Tor/Forge publishes science fiction and fantasy books. Run by Tom Doherty Associates, LLC, Tor/Forge is an imprint of Macmillan, one of the big five publishers. Tor is one of the most established science fiction publishers and they have won the Locus Award for best SF publisher many years in a row. They offer advances.


Avon Impulse

Avon Romance is a romance imprint of HarperCollins. Avon Impulse is their digital-first imprint and they publish primarily new authors because of this. If your book does well in terms of digital sales and it is over 25,000 words in length, it will receive a print run and receive good distribution. Books that receive a print run are officially published by Avon Romance for the print edition (and not Impulse).

Avon UK

10 Imprints of Big 5 Publishers That Accept Unsolicited Submissions
Avon UK has a separate digital imprint that is open to emailed submissions.

Harlequin

Harlequin is easily the most famous romance-only publisher out there. In fact, their name was synonymous with romance novels when I was growing up. They have wide distribution, from grocery stores to bookstores. They are everywhere. A few years ago HarperCollins purchased the company.

Carina Press

Carina Press is Harlequin’s digital-first adult fiction imprint, publishing first in digital, and then depending on the numbers releasing audio and print versions as well. Unlike most of Harlequin’simprints, they don’t just focus on romance, although they are open to all subgenres of romance, including contemporary, paranormal, LGBTQ+, and science fiction. They also publish mysteries of all flavors—from cozies to thrillers, with and without romantic elements. They, like Harlequin, are owned by HarperCollins

DAW

DAW is an imprint of Penguin that is open to manuscript submissions from authors without an agent. DAW is a highly respected publisher of Science Fiction and Fantasy. DAW has published authors such as Marion Zimmer Bradley and Roger Zelazny. DAW has published many bestselling books and they have published Hugo award winning books. So they are respected and popular.

WorthyKids/Ideals

WorthyKids/Ideals publishes fiction and nonfiction board books, novelty books, and picture books for children from birth through the age of 8. In September 2018 they were purchased by Hachette. The subjects they are interested in publishing are primarily inspiration/faith, relationships and values, general fiction, American patriotism, and holidays, particularly Easter and Christmas.

xxx

From the free online newsletter of 'Author's Publish Magazine'
If the next contest is something along the lines of, 'Threadjack of the Year' this sucker will win hands down, imo. ;)

Two Challenges To Prompt Your Imagination - sorta

Those folks wary of traveling to the top of the forums page may have missed the two challenges now available in the 'Challenges and Prompts' (just for fun) forum.

The 'Time Warp'' challenge is for stories in any category, up to 5,000 words.
The Describe the Singer one is for micro fiction.

No pressure, no deadline. Each challenge has its own entry guidelines, including word limit.

So far, nine brave souls have taken on the 'Singer' challenge while 'Time Warp' is well represented but the exact number of entries is beyond me -- among many other things.

Anyway, take a look at the 'Challenges and Prompts' forum and give both of them a try. You have now been officially challenged. ;)

Excerpted from the free online newsletter of, Authors Publish -- highly recommended.

Carina Press: Holiday 2019 Proposals
This is a call for proposals for romance novels on the Holiday theme. They want contemporary romances set against holidays that fall from October to January. Holidays celebrated by all different faiths, belief systems and cultures are included, as are Christmas stories. The books do not need to be set in the US. They welcome #ownvoices stories, as well as LGBTQ+ and poly pairings. Writers need to send a query letter, a synopsis and an extract. Carina is a digital-first imprint of Harlequin.
Deadline: 27 February 2019
Length: A minimum of the first 7,500 words of the work in progress for the proposal; the actual novel is to be at least 50,000 words
Pay: Royalties
Details here.

Darkhouse Books: What We Talk About When We Talk About It: Variations on the Theme of Love
They want poetry and prose on this very broad theme. Their guidelines say, “What is love, anyhow? You can love your partner, your friend, your country, your dog, cat, rat, your local library, your family, yourself. You can love money, liquor, food, wilderness, or the dive bar on the corner. What does love make people do? What will people give for it? What will they steal?” For this issue they lean towards the literary while welcoming all genres. Also see this page for their anthologies on other themes, with other deadlines.
Deadline: 28 February 2019
Length: Up to 5,000 words
Pay: Royalties
Details here.

Uncanny Magazine: The Disabled People Destroy Fantasy
They want fantasy stories from writers who identify themselves as disabled; identity is what matters for this issue (see this essay on their website, Disabled Enough). Their guidelines say, “We’re looking for immediate and visceral tales of danger, fun and inventive adventures, and fateful journeys to distant lands or to the dragon’s lair in your own backyard. We’re looking for intricate, challenging tales with gorgeous prose, verve, and imagination that elicit strong emotions and challenge beliefs.” They do not require stories to explore issues relating to disability, although those are welcome. They are also looking for essays that explore the relationship between fantastical literature and disability, and will accept pitches or fully written essays. They also accept poetry.
Deadline: 28 February 2019
Length: 750-6,000 words for fiction, 1,000-2,500 words for essays,
Pay: $0.08/word for fiction; $60 for essays; $30 for poetry
Details here.

Tell-Tale Press: Creatures
They want fantasy, horror, mystery and science fiction stories about creatures: animals, insects, arachnids, dinosaurs, aliens, monsters, cryptids, legends, mythical, or mythological. They want writers to think outside the box. The stories can be about vampires or aliens, werewolves or unicorns, but these must be new and fresh, something that hasn’t been thought of before or hasn’t been worked with much. They will be accepting one novelette-length work.
Deadline: 4 March 2019
Length: 500-10,000 words (see guidelines)
Pay: $5-25; $50 for novelette
Details here.

Hippocampus Magazine: Ink
This creative nonfiction magazine is publishing an anthology that will celebrate print media—magazines and newspapers—from the pre-digital age. Their guidelines say, “We want to hear stories from all parts of these operations, from the newsroom to production. We want to hear from those who worked for small town papers and big city dailies. We want to hear about how these publications built community, impacted change, celebrated local milestones, or mourned national tragedies. We want to hear how people chased stories, and we’re interested in the stories behind those with the bylines. We want to hear how your printed words made a difference—as well as how your career affected you.” They do not want individual reflection per se, but rather compelling essays with a clear narrative arc.
Deadline: 30 March 2019
Length: Up to 5,000 words
Pay: $25
Details here

Highlights Magazine: Several themes
This is a general-interest magazine for children ages 6-12. They are currently interested in short stories on these themes: historical fiction set during periods other than World War II, mystery stories featuring boy protagonists, humorous stories featuring girl protagonists, sports stories for younger readers featuring girl protagonists, science fiction, graphic (comic-book format) stories, stories set in countries outside the US (currently do not need stories that focus on food traditions), holiday stories (especially Thanksgiving and Easter; do not need Christmas or Halloween stories). For poetry, they currently need short verse (up to 10 lines), especially non-rhyming and/or humorous poetry; they aren’t accepting poems with nature or seasonal themes or poems about dogs at this time. They also publish puzzles, articles, and activities.
Deadline: Unspecified
Length: Up to 750 words for fiction (see guidelines)
Pay: $175 and up for fiction and nonfiction, $75 and up for My Sci submissions, $40 and up for poetry, crafts and puzzles
Details here.
“The day Somebody McSomebody put a gun to my breast and called me a cat and threatened to shoot me was the same day the milkman died.”

'Milkman,' by Anna Burns
Afternoon, Larry. Having been born with two left feet, just the idea of a four-hour dance workshop makes me woozy.

Curvy, there's no need to know anything about her. Just use Google Images to pull up a lot of photos and take it from there.

What I was most interested in was how folks would describe a fictional character who, like her, might not be a classic 'beauty' but is considered cute and sexy in an appealing non-threatening way.

Whether you give it a try or not, I'd really appreciate your input.

Anna, there are no hard and fast rules to that challenge, mainly because I couldn't find any guidelines for challenges. Ronstadt was picked because she had a long career and because she is one of those individuals who, while not classically beautiful or handsome are sexy and I wondered how other writers might describe that condition.

If you have more questions or ideas for improving the challenge, pass 'em along.

Hi ya, Fate, and welcome back!

Sorry about muddying the waters. My thought was to have each challenge response have a similar title so they'd be easy to find but with a unique tag to make it, well, unique. The first thing to occur to me was the writer's SS name (handle). However, dang near anything else will do the job.

Since you're a caffine addict, be sure to stop by the 'Inspiration Coffee Shop' in 'The Break Room' forum.

note: I'll swear on a stack of Strunk & White's 'Elements of Style' that I posted a similar reply a few minutes ago. Just mentioning that in case you get two heading your way.

The challenge is simple: Using the prompt as a guideline, describe in 100 words or less, the singer as if she was a character in your short story.

Prompt: With no fanfare, the singer steppes onto the small, dimly lighted stage and slips through the band members until she reaches the microphone stand. The moment she taps on the mike's grill, a bright spotlight illuminates her from head to toe. "Hi," she says, "waving to the suddenly hushed audience. "I'm Linda Ronstadt," and begins to sing.

That's the challenge: describe Linda Ronstadt at some point in her career facing an unknown audience in an undefined setting, and do this in 100 words or less not counting the prompt which need not be included.

Submit your response to Story Space Microfiction with the title, "Challenge: Name the singer -- along with your handle

Post any questions, reprimands or words of wisdom here.

Enjoy.



- - - - - -

Linda Ronstadt Challenge participants:

AnnaMayZing
Survivor
Dreamcatcher
Gypsy
CuriousAnnie
RuNe
Steffanie
Rumple_deWriter
Fuzzy, when it comes to being clueless and out of the loop, if I'm not in a class by myself, it sure don't take long to call the roll. That said, in the last few weeks, I've heard nothing about a new contest. That includes any scuttlebutt on the 'Mod Forum'. Maggie and others have indicated that another contest might be a possibility somehow, someday but, to the best of my limited knowledge, there have been no ongoing discussions.

BTW, hope you got that kettle of hot water you asked for last year. ;)

Gypsy is preaching my sermon for me. That is to say, we agree. That said, readers here at Story Space seem to follow the 'shorter is better' line when it comes to the stories they read, vote and leave a comment on. IMO, if a story comes in at over 3-4K, it better have a killer hook of an opening (he says, subtly pimping his 'How to be a Happy Hooker' SS thread). ;)

In an act of mind-boggling authorial hubris, I've posted a short 'Musing' wwith the title, "How To Be a Happy Hooker".

https://www.storiesspace.com/stories/musings/how-to-be-a-happy-hooker-musings-on.aspx

It's a rumination on 'hooking' the reader's interest in a story's opening lines, honest.

We've had threads before about favorite opening lines, but that was long ago. Feel free to share any thoughts on the subject along with your favorite opening liness. Here's the link one more time:

https://www.storiesspace.com/stories/musings/how-to-be-a-happy-hooker-musings-on.aspx

I agree with Hayley. Meredith, your suggestion is a good one. I'll mention it in the Mod Forum but a PM to Maggie wouldn't hurt.

Larry, thanks for the inadvertent info dump on the ID of 'Henriettta'. Cyn, imo, that's a fine handle, or alias, as the case may be. ;)

Good coffee, Larry.

You two play nice or at least be sanitary.

Getting any short story published is tough.
Getting a non-literary (genre) story published, especially by a journal that actually pays, is a real challenge -- but not an impossibility, honest.

What follows are eight journals that publish genre short stories. Who knows, their next acceptance might be from a Stories Space author.

* Historical and Western

The Copperfield Review

The Copperfield Review is a literary journal for writers of historical fiction. They pay all their authors.

Historic Heroines

Historic Heroines is a publication focused on historical tales of female empowerment. They publish stories about fictional or real women experiencing real-life historical events. They are a paying market.

The Western Online

The Western Online is a magazine devoted to everything Old West. They’re looking for historical western fiction of 5,000 words and under, though guidelines note their sweet spot is around 3,000 words. They offer token payment.

Cowboy Jamboree

They publish short fiction and flash fiction in the western genre, though not traditional western – they describe themselves as a “Grit-lit magazine focused on the rural working class and revisionist western writing.”


* Mystery & Sci-Fi


Ellery Queen Mystery Magazine

They publish every kind of mystery short story: the psychological suspense tale, the deductive puzzle, the private eye case – the gamut of crime and detection, from the realistic to the more imaginative.

Alfred Hitchcock Mystery Magazine
This paying and competitive magazine publishes short stories and novellas in the mystery genre.

Asimov’s Science Fiction

Stories in Asimov’s have won many Hugo and Nebula awards. They pay well.

Analog

This is a respected science fiction journal that publishes everything from short stories to novellas. They pay well.


note: Excerpted from the free, online newsletter of, Authors Publish Magazine (highly recommended)
Larry, with the boss man gone south for a few days in the sun, do customers need to brew their own java? Not complaining, you understand, but cleaning up afterward might be a challenge. ;)

I'm about halfway through 'Always Look on the Bright Side of Life' by Eric Idel of 'Monty Python's Flying Circus, fame. It's sorta his version of a memoir/autobio and is LOL funny in many places. Idel is the 'reader' on the audio version which is, therefore, highly recommended.

Note to SS readers: It is an old adage of the writing trade that the early work of most writer’s tends to be somewhat autobiographical. If some of yours falls into that category and you feel it might be publishable as, ‘memoir’, read on.

X x x

Seven Publishers That Accept Memoir Submissions (No Agent Required)
Written by Emily Harstone
For ‘Authors Publish’ free, online newsletter

Memoir publishers that don’t require an agent to submit are few and far between. However, there are still options out there. Some are old and respected, others are new and still figuring things out.
Not all the publishers on this list are currently open to submissions, but most are.

City Lights Books
City Lights Books is based out of San Francisco and is indeed part of the famous bookstore there. City Lights Books was started by the famous poet and writer Lawrence Ferlinghetti. They are most often linked to the beat poetry movement. They have published New York Times best selling books, and have been a publisher for over 60 years. They publish about a dozen books each year, including a number of memoirs.

Persea Books
Persea Books is an independent book publisher based out of New York that was established in the 1970s. Since then they have gained a reputation for publishing thoughtful books in a variety of literary genres, including memoir.

Soft Skull Press
Soft Skull Press is a small respected publisher of fiction and nonfiction. They are only open to unagented submissions of nonfiction work. The nonfiction they publish includes history, memoir, literary biography, religion and philosophy, and natural history. Soft Skull Press was recently purchased by Catapult/Black Balloon.

Chicago Review Press
Chicago Review Press was founded over 40 years ago. They are an established independent publisher of literary fiction and non-fiction. They were founded by Curt Matthews and his wife, Linda Matthews. Curt was the former editor of the literary journal the Chicago Review. Their imprint Academy Chicago publishes memoirs and is open to unsolicited submissions.

Filles Vertes
Filles Vertes Publishing was founded in 2016. It is a new publisher with only a few books under their belt and a few forthcoming books as well. They have print and electronic versions of all their books. They accept submissions of middle grade readers, young adult books, adult fiction, and adult fiction in all genres, which is a broad spectrum to publish. They have previously published a historical thriller/mystery, a memoir about life at sea, and a mystery book set in the Pacific Northwest.

Polis Books
Polis Books is an independent publisher of fiction and non-fiction. Polis Books was founded in 2013. Their focus is on publishing new voices. They are a technologically driven company. They publish print and digital books. They are currently seeking memoirs.

Square One Publishers
Square One Publishers focuses on publishing adult nonfiction books. They are looking for books by authors that are experts in their field. Their books are focused on meeting the needs of niche audiences. They are not a publisher of bestsellers, they have a specific market/markets and they cater to them. The memoirs they publish are generally a little different so please review their catalog first.
Just for the hecky-darn of it, here are eight southern writers who either inspired' or maybe just 'influenced' me to write fiction.

female:
Zora Neale Hurston
Eudora Welty
Harper Lee
Flannery O'Connor

male:
John Kennedy Toole
William Faulkner
Thomas Wolfe
Tennessee Williams

Three different takes on the zombie theme from the same unique publisher. Be sure to check the link for more information.
https://jpskewedthrone.dreamwidth.org/496776.html


Zombies Need Brains: Portals
They want science fiction and fantasy stories on the theme of Portals – stories that contain a portal opening up between two different worlds and the consequences that come from that portal. See guidelines for additional details. They have three anthologies, all Kickstarter funded, and the goal has been met; if stretch goals are met, authors will be paid more.
Deadline: 31 December 2018
Length: Up to 7,500 words
Pay: At least $0.06/word


Zombies Need Brains: Temporally Deactivated
For this science fiction/fantasy anthology, they want stories where the author explores what the phrase ‘temporally deactivated’ could mean with regards to a person, place, or thing. See guidelines for additional details. They have three anthologies, all Kickstarter funded, and the goal has been met; if stretch goals are met, authors will be paid more.
Deadline: 31 December 2018
Length: Up to 7,500 words
Pay: At least $0.06/word


Zombies Need Brains: Alternate Peace
For this anthology, they want alternate history stories where the divergence from our timeline comes from some kind of peaceful change to our past; writers must explore the consequences of this divergence. See guidelines for additional details. They have three anthologies, all Kickstarter funded, and the goal has been met; if stretch goals are met, authors will be paid more.
Deadline: 31 December 2018
Length: Up to 7,500 words
Pay: At least $0.06/word

x x x

Excerpted from the free, online newsletter of 'Authors Publish'. Check it out.
Congrats to Paper Boy and all the other winners and contenders. And a tip of the old sombrero to Maggie and all who lent their time and effort to helping her make the contest a success.