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Rumple_deWriter
Over 90 days ago
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Submitted for your consideration, five publications seeking a variety of writing with deadlines beginning in the middle of February.

As always, for more information, Google the publication's name and go to its 'How to Submit' section



Smoking Pen Press: A Kiss and a Promise (working title)

They want romance stories for this anthology. The stories can be contemporary, regency, futuristic, paranormal, historical, fantasy, humor or any other kind of romance, except erotica.
Deadline: 14 February 2018
Length: 7,000-12,000 words
Pay: $25 or copies

Darkhouse Books: Libraries and Librarians

This anthology will feature cozy to cozy-noir stories featuring libraries and librarians. They accept reprints.
Deadline: 28 February 2018
Length: 2,500-5,000 words
Pay: Royalty split

Darkhouse Books: Sanctuary

For this anthology they want poetry, flash, short fiction, and creative nonfiction reflecting the theme of sanctuary, refuge, shelter, or asylum, from the perspective of those offering, seeking, denying, or destroying it. They are leaning towards the literary but all genres are accepted. They accept reprints.
Deadline: 28 February 2018
Length: Up to five poems and/or two prose pieces
Pay: Royalty split

Starbooks: The Power of the Paw

They want authors’ dog adoption or rescue stories, along with photos. With this anthology, the editors want to bring awareness and raise funds to support the organizations who help get dogs off the street, into ‘no kill’ shelters, out of abusive situations and shut down puppy mills. This anthology will be the first in a series; next up is Cats, The Power of the Purr.
Deadline: 31 March 2018
Length: Unspecified
Pay: Unspecified

Over My Dead Body! The Mystery Magazine

They publish a wide variety of mystery-related manuscripts, from cozy to hardboiled, and everything in between. They also accept nonfiction: mystery-related author interviews/ profiles and articles. Mystery-related travel pieces will also be considered. (For example: travel article about the Reichenbach Falls of Sherlock Holmes fame.) Query first.
Deadline: Rolling
Length: Up to 500 words for nonfiction; 750-4,000 words for fiction
Pay: $0.01/word for fiction; $10-25 for nonfiction

* excerpted from the, Authors Publish, free, online newsletter. *
Something of a writing challenge has popped up on the main page. It's unplanned,unregulated, neither authorized nor sanctioned, and has a 100 word limit.

So far, there are three entries which should, imo, be read in sequence to best appreciate the sublime charms of the stories.

Anna May Zing, wrote the first one, 'Home Late'.
http://www.storiesspace.com/stories/micro-fiction/home-late.aspx

Ping jumped in with number two, cleverly title, Home Late 2. (just scroll up a bit to find it)

Kind of Heart made the latest contribution, 'What Was She Doing?' (keep scrolling up to find that gem).

The storyline concerns the misadventures of a certain mature lady who is unaware she's sitting buck nekkid on the upper deck of a London bus.

Anyway, go check it out, enjoy the reads, then make a contribution if you're so inclined.

Here are some perks of reaching 60 or being over 70 and heading towards 80 and Beyond.

1. Kidnappers are not very interested in you.
2. In a hostage situation you are likely to be released first.
3. No one expects you to run--anywhere.
4. People call at 8 PM and ask, "Did I wake you?"
5. People no longer view you as a hypochondriac.
6. There is nothing left to learn the hard way.
7. Things you buy now won't wear out.
8. You can eat supper at 5 PM.
9. You can live without sex but not your glasses.
10. Your supply of brain cells is finally down to manageable size.
Here are six recent Recommended Reads for your post-holidays reading pleasure. The categories include:
Flash, Micro, Poetry, Supernatural, Memoirs, and Musings. I 'recommend' y'all check 'em all out. ;)

This link to the Recommended Reads list may or may not work:
http://www.storiesspace.com/recommended-reads.aspx



___________________________

Fredrock


[url=http://www.storiesspace.com/stories/flash-fiction/bugsys-revenge.aspx][b]Bugsy's Revenge[/url]

Frank Danger has two choices: Think fast or die.

I was tailing the unfaithful husband of a neurotic client down a dark alley when someone slipped behind me and put a gun to my neck. I heard Bugsy’s voice and knew I had a problem. “Frank Danger, P.I.!” he said with a delighted baritone that rumbled like a dump truck. “Bugsy.” He laid a heavy mitt on my back and sent me staggering. Bugsy was a great guy. I thought the world of him. ...Read On]

Added: 28 Dec 2017 | Category: Flash Fiction | Avg Score: 5 | Words: 957 | Tags: noir hardboiled detective private investigator pulp |

___________________________

LarryFNigh

[url=http://www.storiesspace.com/stories/micro-fiction/learning-to-swim.aspx][b]Learning to Swim[/url]

Still waters run deep

Added: 10 Dec 2017 | Category: Micro Fiction | Avg Score: 5 | Words: 100

___________________________

LarryFNigh

[url=http://www.storiesspace.com/stories/poetry/we-have-all-the-time-in-the-world.aspx][b]We Have All The Time In The World[/url]
For my lover

We have all the time in the world It is not denial But acceptance of a higher truth My eyes look upon you and know We will go on No matter what they say It is the only way to live our lives To the fullest With each day that passes To live without seeing an end To love without crying again To laugh without doubting And win We have all the time in the world ...Read On

Added: 18 Oct 2017 | Category: Poetry | Avg Score: 5 | Words: 76 | Tags: poetry prose poem love poem |

___________________________

AnnaGustic

[url=http://www.storiesspace.com/stories/supernatural/the-therian-chapter-one.aspx][b]The Therian: Chapter One[/url]

"Above all watch with glittering eyes the whole world around you."

Lily jerked awake, barely registering the chorus of the song playing on the radio, and the white noise sounds cars made while on the move. She was dreaming about running through the forest. Something was chasing her, and she was all alone. She shook it off and looked around to familiarize herself with the here and now. Next to her in the driver's seat was her Dad. His familiar bearded... Read On

Added: 22 Sep 2017 | Category: Supernatural | Avg Score: 4.5 | Words: 1,872 | Tags: werewolf lycan lycanthrope therian romance angst drama |

___________________________

gillianleeza

[url=http://www.storiesspace.com/stories/memoirs/learning-to-fly.aspx][b]Learning to Fly[/url]

Dear Dad, I should have done this so much sooner but I am a procrastinator as you well know. Sharing my thoughts with you now is the very least I can offer. Soon you won't remember my words and perhaps not even my face. Fate is cruel, stealing your memories but leaving your body healthy and intact. From the time I was little I always felt safe with you. We had so much fun and not always... Read On

Added: 20 Sep 2017 | Category: Memoirs | Avg Score: 5 | Words: 391 | Tags: love memories parents family grieving |

___________________________

adi_me

[url=http://www.storiesspace.com/stories/musings/waiting-for-irma.aspx][b]Waiting for Irma[/url]

Nothing else to do

I'm sitting here in Southwest Florida, mere feet from the Gulf of Mexico. I live here. I've lived here for 30 years and have never been this scared. There is a storm coming. A huge storm. Hurricane Irma. She is 400 miles of catastrophic wind and will bring storm surges over 12 feet high. I feel like I am waiting to die. We all are. My family. My love. My life. Waiting. Why don't I head... Read On

Added: 09 Sep 2017 | Category: Musings | Avg Score: 5 | Words: 414 | Tags: adi rambling hurricane help! |
A couple poetry competitions for your consideration. If interested just google the contest name for details.



Competitions for poets

The Society of Classical Poets Competition

Send 3-5 poems on any of these themes: The Issues of Our Age (at least one poem has to be on this theme – see guidelines for specific issues), Beautiful & Sublime, Great Culture, Humor & Riddles.
Value: $500; three prizes of $100 each – for High School poets, translators, and poets of Hudson Valley, New York
Deadline: 31 December 2017
Open for: All poets


The Keats-Shelly Prize and the Young Romantics Prize

This is a contest for poems and essays on Romantic themes. For the Keats-Shelly Prize, adult writers should respond creatively to the work of the Romantics; this year, the theme is ‘Liberty: a celebration of Shelly’s Prometheus Unbound’. Write your own poem on Liberty, or an essay, which can be on any aspect of the work or lives of the Romantics and their circles. For the Young Romantics Prize, writers aged 16-18 should make poetry/essay submissions on the same theme.
Value: Prizes of £3,000 for the adult, and £2,000 for the Young Romantics category
Deadline: 15 January 2018
Open for: All poets and writers


* copied from the free, Authors Publish, online newsletter
bump

Why? Because, imo, there's still a lot of passive prose in Story Space submissions and in the world...that and total hubris. ;)

These five literary journals are all new which might make them especially willing to consider submissions from previously unpublished writers. For more information, check out their web sites.


Counterclock
This online literary and art publication founded in summer 2017 is dedicated to showcasing high-quality poetry, fiction, nonfiction, visual art, and cross-genre work. They publish writing on a quarterly basis and have just published their first issue.

Speculative City
This literary journal publishes speculative and provocative works that are centered within a cityscape. They want to encourage writers and characters often underrepresented in speculative fiction, such as people of color, queer people, working-class people, and people with disabilities. They are a paying market. They close to submissions December 15th. They have yet to publish their first issue.

GUESTHOUSE
Founded by two women writers about to complete the University of Iowa’s Masters of Fine Arts program, GUESTHOUSE has a well crafted website and a dual focus on fiction and poetry. They are accepting submissions for their second issue.

Riggwelter
Riggwelter publishes poetry, fiction, visual art, and experimental media. They are looking for work that makes them fall in love, work with that ineffable something that makes them stop, and then start again in an entirely new direction. Their first issue is available online, and the foreword provides some thoughts by the editor about the process of selecting work for Riggwelter.

Ariel Chart
Ariel Chart is seeking brief writing. Based in Australia, they publish short works of poetry and microfiction. Like most small things, tiny pieces of writing are often ignored in the publishing world. Ariel Chart hopes to help. They aim to champion meaningful literary works, no matter how small. You can read the work published on their website to get a sense of what they like.

* excerpted from the free newsletter of, Authors Publish *
At dawn the telephone rings,

"Hello, Senor Bob? This is Ernesto, the caretaker at your country house."

"Ah yes, Ernesto. What can I do for you? Is there a problem?"

"Um, I am just calling to advise you, Senor Bob, that your parrot, he is dead".

"My parrot? Dead? The one that won the International competition?"

"Si, Senor, that's the one."

"Damn! That's a pity! I spent a small fortune on that bird. What did he die from?"

"From eating the rotten meat, Senor Bob."

"Rotten meat? Who the hell fed him rotten meat?"

"Nobody, Senor. He ate the meat of the dead horse."

"Dead horse? What dead horse?"

"The thoroughbred, Senor Bob .."

"My prize thoroughbred is dead?"

"Yes, Senor Bob, he died from all that work pulling the water cart."

"Are you insane? What water cart?"

"The one we used to put out the fire, Senor."

"Good Lord! What fire are you talking about, man?"

"The one at your house, Senor! A candle fell and the curtains caught on fire."

"What the hell? Are you saying that my mansion is destroyed because of a candle?!"

"Yes, Senor Bob."

"But there's electricity at the house! What was the candle for?"

"For the funeral, Senor Bob .."

"WHAT BLOODY FUNERAL??!!"

"Your wife's, Senor Bob. She showed up very late one night and I thought she was a thief, so I hit her with your new Ping G15 204g titanium head golf club with the TFC 149D graphite shaft."

SILENCE...........

LONG SILENCE.........

VERY LONG SILENCE............

"Ernesto, if you broke that driver, you're in deep shit."

Just my FWIW thoughts and suggestions for new categories.

note: all these are fiction

animals/wildlife/nature/environmental
Family
Gothic
Historical
Religious
Chick-Lit

IMO, while new stories might generate more traffic (readers and writers), unless story votes and comments pick up along with more forum participation, Nicola will have little incentive to invest much, if any, additional time and money on, Story Space...unfortunately.

Raymond Chandler:

Then her hands dropped and jerked at something and the robe she was wearing came open and underneath it she was as naked as September Morn but a darn sight less coy."--The Long Good-bye (Chapter 29)

This thread is too much fun to let it wither away.

The following one-sentence opening to, " The Violent Bear It Away", by, Flannery O’Connor, has always left me in writerly awe.

"FRANCIS MARION TARWATER'S uncle had been dead for only half-a-day when the boy got too drunk to finish digging his grave and a Negro named Buford Munson, who had come to get a jug filled, had to finish it and drag the body from the breakfast table where it was still sitting and bury it in a decent and Christian way, with the sign of its Saviour at the head of the grave and enough dirt on top to keep the dogs from digging it up."

Reg, the 'Dancing To Ray Charles' I've been posting is an abridged version. The full-blown novel is about 50% bigger. In that one, there are just under 100 characters who appear on or off screen. Less than a third have 'speaking' parts.

My goal in creating an 'image' of those with speaking parts was to keep them consistent. No writer wants a character's blonde bimbo girlfriend in chapter one to re-emerge as a classy brunette near the end of the story.

While an extensive background probably isn't needed for most short stories, I'd think it could be of some help with continuing characters in a linked series.

Reg, the 'Dancing To Ray Charles' I've been posting is an abridged version. The full-blown novel is about 50% bigger. In that one, there are just under 100 characters who appear on or off screen. Less than a third have 'speaking' parts.

My goal in creating an 'image' of those with speaking parts was to keep them consistent. No writer wants a character's blonde bimbo girlfriend in chapter one to re-emerge as a classy burnette near the end of the story.

While an extensive background probably isn't needed for most short sotries, I'd think it could be of some help with continuing characters in a linked series.

Good thread, Reg. Here's my FWIW replies.

1.) When writing something like this, do you outline / block out the story arc for the whole thing first? Do you write a draft of the whole story, break it into chapters and then complete / submit chapter one?

RdW: I've never done anything similar to your project. However, I've always done a rough outline for long-form fiction, including my two finished novels. For short stories, I've never used outlines. It would be interesting to get Verbals's take on this subject since his 'Shard' series of flash fiction involves the relationship, both sexual and emotional, between the same man and woman.


2.) Do you plot out the biographical details character eleements before starting? Keep notes on the character?

RdW: For my novels, yep. This was especially true for my second one which, unlike my first one, contained no auto-bio elements.

3.) Did you start with the complexity of characters, plot elements, etc (love triangle, KKK, off to college, preachers’ kids, etc.)... determined to mix them in, or did they evolve during the writing?

RdW: For the primary characters, I did a fairly extensive 'rap sheet' of their looks, quirks, personality traits, history, habits etc.. None of that was chiseled in stone. Elements were added as the story developed others were never used.

For secondary characters, I tried to come up with a distinctive feature to set each one apart from all the others.

4.) Do yo incorporate details that are personal and based upon your experiences? Are they always in your protagonist?

RdW: Yes, but that's not a goal, it just happens.

5.) Did you intend to break it into chapters? Would you make it a novella if you didn’t have to break it up?

RdW: Can't help you with this one since I've never set out to write something in this form. That said, I tend to be an almost instinctive user of chapters.

6.) How far ahead of the latest published chapter is your writing?

RdW: I've only intentionally written one set of stories that were posted as a 'series'. It's on another site. I wrote it on-the-fly, one chapter at a time and don't plan on ever doing that again. If I ever do tackle another series, I'll write the entire thing first, them submit it one chapter at a time, making any needed edits along the way.

Reg, imo, one cannot go wrong quoting lines by John Steinbeck or Raymond Chandler. ;)

After reading this opening sentence there can be no doubt a good time awaits the reader.

‘On this particular Thursday, something was moving quietly through the ionosphere many miles above the surface of the planet; several somethings in fact, several dozen huge yellow chunky slablike somethings, huge as office blocks, silent as birds.’

The Hitchhiker’s Guide to the Galaxy, Douglas Adams)

Submitted for your consideration, three themed 'calls for submissions' with deadlines , and they actually pay!

xxx

Baobab Press: This Side of the Divide Anthology

This is an anthology of short fiction exploring the United States West, from the untouched wilderness to hyper-urban settings.
Deadline: 31 Trouble the Waters – Tales from the Deep Blue

This is an anthology of water-themed speculative fiction stories that explores water-lore and deities, ancient and new, as well as unimagined tales.
Deadline: 1 November 2017
Length: 2,500-7,000
Pay: $0.06/word; $0.02/word for reprints


The Sun: Love and Justice

They want poetry on the theme. Poems may be personal or political or both. They favor accessible language and thought, but we are open to poems that push boundaries and challenge readers. They especially welcome entries from writers of color.
Deadline: 1 November 2017
Length: Up to five poems
Pay: $100 per poem


(excerpted from 'the 'Authors Publish' free, online newsletter)
Picking up on DX's 'finished v completed' post, here are a couple more combos that can confuse some writers.

Further v farther
principle v principal

Anybody want to take a shot?

Submitted for your consideration:


If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth.

The Catcher in the Rye, J.D. Salinger

What follows are neither 'competitions' nor 'calls for submissions', so sue me. This is a list of a dozen prestigious and payings sites most of we struggling scribes can only dream about accepting our work. The vast majority of the submissions they receive are rejected but if accepted, the prestige is great and the money ain't bad.. So google these sites and submit your best work. After all, dreams can come true. RdW

xxx

The Atlantic

The Atlantic is open to submissions of poetry, nonfiction, and fiction. They pay well.

The New Yorker

The most famous (and most profitable) magazine with a literary bent, The New Yorker is very competitive to get into. However, they accept unsolicited submissions of fiction, poetry, and cartoons. They pay very well.

The Sun

The Sun is a fabulous ad-free magazine that has been around for over 40 years and has published so many famous writers, I have a hard time choosing even five. The publish fiction, creative non-fiction, memoir, and poetry. They only accept submissions through the mail. They even pay well.

The Paris Review

This venerable print publication accepts only postal submissions. They publish poetry and fiction, as well as interviews, which they are rather famous for. They were founded in 1953 and have published many well-known writers since then. Some famous authors including Adrienne Rich, Philip Roth, V. S. Naipaul, and Rick Moody were first published by The Paris Review.

Granta

This print and electronic literary journal publishes great straight-forward fiction, non-fiction, and poetry. Granta has editions in twelve languages across three continents.

The Virginia Quarterly Review (VQR)

They publish poetry, short fiction, and nonfiction by award winning writers. They pay $200 per poem, and start at $1,000 per fiction piece.

Harper’s Magazine

Harper’s considers unsolicited fiction. It is the second-oldest continuously published monthly magazine in the U.S.

Tin House

This respected print literary journal publishes some of the best contemporary writers, and has excellent distribution. They also have a regular online publication open to shorter work.

The Kenyon Review

They publish short fiction, essays, poetry, plays, excerpts, and translations of poetry and short prose. When you submit to their print journal, you are also submitting to their online magazine; both have a large readership.


POETRY
This is the most famous poetry magazine there is. It is published by The Poetry Foundation. The first time you have a poem printed by them, an asterisk appears next to your name to note your appearance as a debut poet with them.

Jubilat

This is one of the most prestigious poetry-only journals. They are print-only, and do a fabulous job.


(copied from the free, online newsletter of, Authors Publish)
I've got my 'Way Back' machine going. It was William Faulkner's birthday a while back, so I've been re-re-reading, "The Hamlet". And since today is the birthday of, Cervantes, I've just cued up, "Don Quixte" for my next re-read.

Reg, many thanks but take it easy and don't overdose. ;)

Ms E, glad I am you'll be giving chapter 7 a look. It's a lot 'nicer' than 'Family Values'. I did 'Pimp-O-Grams by PM a couple of time but if they arrived, it was hit-or-miss. (sigh)

Hi ya, Gil. I've just started a non-fiction new release, the audio version of, "Al Franken, Giant of the Senate" by Sen. Al Franken (D-Minn). The long-time writer/actor on Saturday Night Live makes a gifted writer and great reader. I suppose the print version is okay, but I can recommend the audio edition.

DX, many thanks for that clear, concise, not to mention, cogent post. For me, it really was a helpful response.

Unlike my last chapter, the racially charged, 'Boudreaux Family Values', the one I posted today needs no warning. In fact, some may find it a bit funny in spots.

If you get a chance, please check out 'Dancing to Ray Charles: Ch 09, Darrell's Disaster and let me know what you think.

Three markets that accept fiction, non-fiction, and poetry, actually pay a bit, and would look good on your list of writing credits, especially the last one.

Go ahead, google the names and check 'em out. Why not?

.


Ninth Letter: Community

They publish non-fiction, fiction and poetry, and want both experimental and traditional writing. For the web edition, the theme is Community.
Deadline: 5 November 2017 for the web edition; 30 November 2017 for fiction and 28 February 2018 for essays and poetry, for the print edition
Length: up to 3,500 words for prose and up to 3 poems for the web; non-fiction or fiction of up to 8,000 words, 3-6 poems (max 10 pages) for the print magazine
Pay: $75 per story or essay and $25 per poem for the web; $25/page for the print edition


Ducts

They want personal stories and welcome both new and established writers, and seek original perspectives on both common and uncommon topics. They publish essays, memoir, humor, fiction and poetry.
Deadline: 15 November 2017
Length: Varies for each section; see guidelines
Pay: $20


The Southern Review

They publish essays, including creative non-fiction and literary essays, as well as fiction and poetry. Submission fee will be waived during University Press Week, 6-11 November 2017. There is no fee for mailed submissions.
Deadline: 1 December 2017 for non-fiction and fiction; 1 February 2018 for poetry (postmarked)
Length: Up to 8,000 words for prose; up to 5 poems or 15 pages
Pay: $25 per printed page, up to $200


* excerpted from the free , Authors Publish, online newsletter
Ping wrote: Drat! Fiddlesticks! Balderdash!

Sorry for the foul language

===

That's bold talk for a family friendly site, Mr. G. But if someone objects, I'll tell 'em about how your a tempermental genius but maybe sometimes a tad light on the mental side of the equation. ;)

In addition to the warm feeling commenters no doubt get for supporting other writers there's another benefit that comes to the commenter, honest.

A comment on the writing forces the person giving the comment to actually think like a writer. While 'atta boys' and 'way to go' are okay, they don't require any thoughts on the quality of the writing. If, in your considered opinion, the story sucks, just move on. Save 'constructive criticism' for PM's. But taking a minute to mention something you thought was well done is a goodness both for the those getting the comment and for those doing the giving.

Give commenting on stories and poems a try. It won't hurt much, probably.

Here are a couple calls for submissions from poetry sites that actually pay. (What a concept!)


Poetry Magazine

This well-regarded poetry journal publishes poetry, including translated poetry, and poetry-related prose, including book reviews.
Deadline: Rolling
Word count: Four poems or translations, up to 10 pages; up to 10 pages for prose
Pay: $10 per line of poetry ($300 minimum); $150 per page of prose

Rattle

They publish poetry and translations of poems. They publish both free verse and traditional forms.
Deadline: Rolling
Word count: Up to four poems
Pay: $100 per poem and subscription for print issue, $50 per poem online; all submissions are automatically considered for the $1,000 Neil Postman Award for Metaphor


* taken from the free online newsletter of, Authors Publish *
If you want to see your story published on its first submission, here are some tips:

Read the site guidelines to make sure your story is compliant.

Do not depend on spell check to edit your story. Read it carefully to check your spelling because spell check will allow misspellings that are words, often with hilarious results, e.g. I put my arms around her waste.

Format your story into paragraphs of about four sentences or where the narrative should logically break. All dialogue should be formatted into separate paragraphs each time someone speaks. A mass of prose with few or no paragraph breaks will be returned to you.

Read your story paying attention to where you pause. There should be a comma there if it is a phrase or a full stop if it is a complete thought.

Read the Writer's Resources about the use of apostrophes if you are not sure. They are not used to form plurals unless to signify possession for a plural. They are used either for contractions or to signify possession. Read the resources for other punctuation marks to know that you are using them correctly.

Do not overuse exclamation marks. They lose their power if used in every other sentence.

Check your verb tense throughout your story to be sure it is consistent. Many submissions have tense shifts from past to present and back again.

Take a look at the proper form for punctuation, formatting, and capital/lower case letters for dialogue in published stories and follow that example in your story.

Do not use text speak/emoticons in your story or short forms like &, or ok, or lbs. Use the entire words.

Express all numbers in your story as words unless they refer to measurements or the time of day. Remember the hyphens for age, e.g. 18-year-old. Numbers may never start a sentence or paragraph, whatever they describe. In these cases they should always be expressed as words.

Your title should not be formatted in all caps and should not include text speak or emoticons. Do not repeat the title in the body of your story. Notes to the reader should be at the end of your story.

Please do not expect that you can spend an hour putting your thoughts in writing and that it will be published.
That could happen, but probably won't

Walk away from your story for a few hours, or as long as a day. When you keep rereading your story, you see what should be there because you know what you have written. Time and distance will give you the perspective to see your mistakes.

Take the time to read the resources available on all aspects of writing in the writers' forum. They will help you polish your work and allow it to be published more quickly.

Read some of the Editors' Picks (EP) and Recommended Reads (RR) stories to get an idea of the standard 'Stories Space' is looking for.

note: copied and edited from a longer post on the LUSH, 'Resources Forum' by, principessa